{"id":527,"date":"2022-02-09T22:28:08","date_gmt":"2022-02-09T22:28:08","guid":{"rendered":"https:\/\/matija.kranjcic.com\/?p=527"},"modified":"2023-11-02T13:42:52","modified_gmt":"2023-11-02T13:42:52","slug":"s-prokofiev-sonata-op-94","status":"publish","type":"post","link":"https:\/\/www.duovonmeck.com\/?p=527","title":{"rendered":"S. Prokofiev: Flute Sonata in D, Op. 94"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">7 \ud83d\udcd6 (+6 \ud83c\udfa7) minutes<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"641\" height=\"880\" src=\"https:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/Prokofiev_as_drawn_by_Henri_Matisse_1921_-_Gallica.jpg\" alt=\"\" class=\"wp-image-545 size-full\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_as_drawn_by_Henri_Matisse_1921_-_Gallica.jpg 641w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_as_drawn_by_Henri_Matisse_1921_-_Gallica-219x300.jpg 219w\" sizes=\"auto, (max-width: 641px) 100vw, 641px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center has-drop-cap has-normal-font-size wp-block-paragraph\">The beginning of his work was marked by the exploration of ballets and continued with operas full of dissonant tensions and unusual combinations of instruments. His compositions are harmonically and melodically clear, often with a constant flow of rhythm. By avoiding the solo cadence, he implements the idea of an artist as primarily a part of the concert ensemble. Diaghilev\u2019s great friend and \u201cthe best Russian composer of that time, after Stravinsky\u201d, of course.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 43%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">Sergey Prokofiev (1891 \u2013 1953) received his first piano lessons from his mother. At the age of 13, he went to St. Petersburg to study composition, piano, and conducting at the St. Petersburg Conservatory. In 1912, Prokofiev wrote the <em>First Piano Concerto<\/em>, for which he received the Anton Rubinstein Prize.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"490\" src=\"http:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/prokofiev-young.png\" alt=\"\" class=\"wp-image-550 size-full\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/prokofiev-young.png 800w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/prokofiev-young-300x184.png 300w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/prokofiev-young-768x470.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center is-style-default has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\">most of his student colleagues considered him as an eccentric and arrogant person<\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:35% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"503\" src=\"https:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/David-Oistrakh-vs-Sergei-Prokofiev.jpg\" alt=\"\" class=\"wp-image-558 size-full\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/David-Oistrakh-vs-Sergei-Prokofiev.jpg 700w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/David-Oistrakh-vs-Sergei-Prokofiev-300x216.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">After graduating from the Conservatory, Prokofiev went to London where he got to know the ballets <em>The Firebird<\/em>, <em>Petrushka<\/em>, and <em>Daphnis et Chlo\u00e9<\/em>, and began a long-term collaboration with Diaghilev, director of Russian Ballet. Influenced by the ballets of Stravinsky and Ravel, he composed pieces spiked with vicious humour and sharp grotesque.<\/p>\n<\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\">Prokofiev, a passionate chess player, defeated Ravel in a chess game<\/p>\n<cite><a href=\"https:\/\/www.chessgames.com\/perl\/chessgame?gid=1579921\" target=\"_blank\" rel=\"noreferrer noopener\"><em>https:\/\/www.chessgames.com\/perl\/chessgame?gid=<\/em>1579921<\/a><\/cite><\/blockquote>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">In the year before the Revolution in Russia, one of his most famous works, influenced by the works of Haydn, was written,<em> the Classical Symphony<\/em>. Prokofiev said that Mozart would have probably composed it similarly if he had lived in his time and had kept his way of musical thinking.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\">Mozart and Prokofiev composed their first pieces at the age of five<\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:39% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"707\" src=\"https:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly-1024x707.jpg\" alt=\"\" class=\"wp-image-567 size-full\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly-1024x707.jpg 1024w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly-300x207.jpg 300w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly-768x530.jpg 768w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly-1200x829.jpg 1200w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/Prokofiev_familly.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">In 1918 he went to New York, where he met a young singer, Lina Llubera, who became his first wife. For many years they stayed in Paris, where he was in close contact with Francis Poulenc and Arthur Honegger. Later, he left his wife and sons for the poet Mira Mendelssohn.<\/p>\n<\/div><\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\"><em>Robert Schumann, Alexander Scriabin, Paul C\u00e9zanne, Pablo Picasso \u2013 Prokofiev\u2019s great role models<\/em><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 24%\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">In 1932, \u201cthe prodigal son&#8221; returned to his homeland and earlier works. We consider the ballet <em>Romeo and Juliet<\/em> a masterpiece because of its extraordinary simplicity. On his last trip abroad, Prokofiev visited Hollywood, where he worked with Sergey Eisenstein on the music for Eisenstein\u2019s film <em>Alexander Nevsky<\/em>. <\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"1024\" src=\"https:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/140206-688x1024.jpg\" alt=\"\" class=\"wp-image-574 size-full\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/140206-688x1024.jpg 688w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/140206-202x300.jpg 202w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/140206-768x1142.jpg 768w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/140206.jpg 1001w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><\/figure><\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\">Prokofiev&#8217;s music has been used in 164 films and TV shows<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"397\" src=\"https:\/\/matija.kranjcic.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-1024x397.png\" alt=\"\" class=\"wp-image-577\" style=\"width:645px;height:249px\" srcset=\"https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-1024x397.png 1024w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-300x116.png 300w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-768x298.png 768w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-1536x595.png 1536w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad-1200x465.png 1200w, https:\/\/www.duovonmeck.com\/wp-content\/uploads\/2022\/02\/8d9857a155bf5a9b82d27622a3f65bad.png 1778w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">At the time of World War II, he composed the ballet <em>Cinderella<\/em>. The ballet wasn&#8217;t seen as politically incorrect because it was related to Tchaikovsky\u2019s <em>Sleeping Beauty.<\/em> Overwork was fatal to the composer\u2019s health, as well as censorship by the Communist Party because of \u201cformalism\u201d. The lyrical <em>Symphony No. 7<\/em> was the composer\u2019s swan song. He died unnoticed on the day Stalin&#8217;s death was announced.<\/p>\n<\/div>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-center has-large-font-size is-layout-flow wp-block-quote-is-layout-flow\" style=\"font-style:italic;font-weight:100\">\n<p class=\"has-normal-font-size wp-block-paragraph\">classical, inventive, toccata, lyrical and humorous &#8211; Prokofiev on the characteristics of his own works<\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h1 class=\"wp-block-heading alignwide has-text-align-center\" id=\"sonata\">sonata<\/h1>\n\n\n\n<p class=\"has-text-align-center has-drop-cap has-normal-font-size wp-block-paragraph\">During the summer of 1943, Sergey Prokofiev escaped the war-torn Eastern Front and went to the Central Asian city of Almaty, where he worked on the film score for Eisenstein\u2019s <em>Ivan the Terrible. <\/em>In the middle of this massive project, Prokofiev found himself drawn to something he described as a \u201csonata in a gentle, flowing classical style.<em>\u201d<\/em> <em>Sonata for flute and piano in D major, op. 94<\/em> was composed and first performed in 1943. After the world premiere in Moscow, the violin version was created in collaboration with the violinist David Oistrach. It is called the <em>Second Sonata for violin, <\/em>with the unchanged piano part from his <em>Sonata for flute and piano in D major<\/em>. There are four movements: Moderato, Allegro scherzando, Andante, and Allegro con brio.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Laura Marjanovi\u0107, Matija Kranj\u010di\u0107, Music School Anniversary\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/7GpakZreGV0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h1 class=\"wp-block-heading alignwide has-text-align-center\" id=\"moderato\">moderato<\/h1>\n\n\n\n<p class=\"has-text-align-center has-drop-cap has-normal-font-size wp-block-paragraph\">Prokofiev uses a strictly melodic sonata form with two themes. The expansive first theme gives us a sense of shimmering classicism. It is as if we are hearing a Handel or Mozart sonata through twentieth-century ears. The tendency to build thematic periods on two very distant tonalities, with sudden modulation or without any modulation, is evident in the second theme. You can perceive that as sudden harmonic turns or, as some would say change of colours. As the movement unfolds, what might have been an open and bright D major, is constantly re-examined and changed, leading to beautiful bridges, with a return to the original tonality. Sudden changes are also manifested in the contrasts of the characters, e.g. when the flute brings a distinctly rhythmic and toccata motif suddenly after a lyric theme. Throughout the movement, there is an exchange of motifs between the flute and the piano, which culminates in common virtuoso passages before returning to the beginning, i.e. recapitulation. Prokofiev creates special sonic atmospheres in a few moments; transition to the recapitulation, a parallel melody in three different registers, and at the very end, the first theme in the highest register and the quietest dynamics.<\/p>\n\n\n\n<h1 class=\"wp-block-heading alignwide has-text-align-center\" id=\"our-tips\">our tips<\/h1>\n\n\n\n<p class=\"has-text-align-center has-drop-cap has-normal-font-size wp-block-paragraph\">To make the experience of playing and working on this piece easier for the future performers, we thought it would be a good idea to share with you some things that need special attention. It is important to return to the already mentioned constant flow and <em>perpetuum mobile<\/em>, which Prokofiev often uses, and because of which there is very little room for rest in this movement. Sudden changes in character and dynamics are present in both parts, which requires quick adjustment. When playing the flute, one should give special attention to melodies of delicate tone and quiet dynamics in the high registers. When playing the piano, extreme rhythmicity should be taken into account, also in quiet dynamics. In the low register, the flutist should pay special attention to the <em>staccato <\/em>way of performing, and the pianist must be careful not to overlap the motifs from the flute section. Special technical readiness is expected in the coda, and the piano section may seem light in places because the same material appears in both hands, but soon the most varied jumps and technical requirements are introduced.<br>We consider the most important thing to be the cooperation of two performers in presenting common motifs, the so-called conversations, imitations, joint music making and feeling the pulse in metronomically unstable places like transitions, i.e. bridges.<\/p>\n\n\n\n<h1 class=\"wp-block-heading alignwide has-text-align-center\" id=\"coda\">coda<\/h1>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size wp-block-paragraph\">Thank you for reading this post to the end. We hope that you have enjoyed listening to Prokofofiev&#8217;s Sonata and getting to know this work from a different perspective!<br>We would like to get feedback from you and learn more about your exploring and understanding of Prokofiev&#8217;s music.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-default\"\/>\n\n\n\n<div class=\"wp-block-buttons alignwide is-horizontal is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-9360c4ad wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button aligncenter is-style-fill\"><a class=\"wp-block-button__link has-background wp-element-button\" href=\"http:\/\/matija.kranjcic.com\/?page_id=630\" style=\"background-color:#920000\">sources<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7 \ud83d\udcd6 (+6 \ud83c\udfa7) minutes The beginning of his work was marked by the exploration of ballets and continued with operas full of dissonant tensions and unusual combinations of instruments. His compositions are harmonically and melodically clear, often with a constant flow of rhythm. By avoiding the solo cadence, he implements the idea of an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"templates\/template-full-width.php","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-527","post","type-post","status-publish","format-standard","hentry","category-sonata-through-twentieth-century-ears"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/posts\/527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=527"}],"version-history":[{"count":126,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/posts\/527\/revisions"}],"predecessor-version":[{"id":1121,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=\/wp\/v2\/posts\/527\/revisions\/1121"}],"wp:attachment":[{"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.duovonmeck.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}